Evocation and mystery are constant poetic motives in the art of Pompeo Pianezzola. To reach these thematic objectives the artist - that is also painter and draftsman of notable thickness - primarily uses ceramics, realizing surfaces that come "you sensitize" from signs, pigments and inserts of clayey subject, in abstract formal demonstrations entirely and therefore intensely antinaturalistic. It has justly observed as these expressive forms can historically constitute - in theirs substantially "graphic" manifesting - an answer, and represents a complementary polarity to the preceding ceramic experiences of plastic plant of Fontana and Leoncillo. And an exercise of writing and investigation conducted materic "in surface" - through the use of technical wise of light forging and decoration engraved and embossed - the action that describes the investigation and the artistic reflection of Pianezzola. This style can be defined by now - later over forty years of career - a true distinctive element of the artist that allows one precise recognisability, even if in this whole departed time in the search and in the experimentation intermediary stages can evidently be traced strongly building and evolutionary, that contribute also to the actual aesthetical and formal definition of the recent works.