Of all the symbols of eternity and security, that which appears most frequently is the Home. The Home is the individual version of the World, in other words, the universal home of all men. This use of symbols embraces all cultures and there is no religion which hasn't adopted it. In Jung's terms, we might say that we found ourselves before an archetype, something that doesn't change with time, which isn't affected by changes in taste. From Hindus to Christians, the problem involves possession, construction, finding shelter, a place to call one's own: an elementary yet eternal need. "Going home" is synonymous with happiness and safety, and "mum and dad's house" or "The House of God" are always ready to welcome prodigal sons who've left the nest in search of knowledge. Knowledge opens the way to thousands of roads, all of which are equally probable, but in choosing means finding the way back. This is not easy. Our existence is fragile; we live temporary situations as long-term arrangements. Man easily makes mistakes, often blinded by a fictitious, false and persuasive "reality", like the sirens of Ulysses. Isao Sugiyama faces all of these themes with exemplary clarity.The artist perfectly combines extremes which are unlikely to be compatible: heat, cold, marble and wood, the transitory and the lasting, full and empty. The extremely fascinating side of his work lies in the sense of creating a link between opposing elements. Between inside and outside, for example, and the home is perfect for this, as it protects from things which are outside and, at the same time, creates a relationship between Man and nature. And this intuition is fundamental. Valerio Deh"
TRADIZIONE NEL CONTEMPORANEO
From Giugno 2004 to Luglio 2004
From 15/09/2001 to 07/10/2001
Edizioni Gagliardi - 2001
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